The hidden meanings of Destined to be Happy exhibition - The Interview with Irina Korina
10 January 2017 | By
09 January 2017 | By
Inside the Picture: Installation Art in Three Acts - by Jane A. Sharp
19 November 2016 | By
Conversations with Andrei Monastyrski - by Sabine Hänsgen
17 November 2016 | By
Thinking Pictures | Introduction - by Jane A. Sharp
15 November 2016 | By
31 October 2016 | By
Tatlin and his objects - by James McLean
02 August 2016 | By
Housing, interior design and the Soviet woman during the Khrushchev era - by Jemimah Hudson
02 August 2016 | By
Dressing the Soviet Woman Part 3: "Are Russians Women?" Vogue on Soviet Vanity - by Waleria Dorogova
18 May 2016 | By
Dressing the Soviet Woman Part 1 - by Waleria Dorogova
13 May 2016 | By
Eisenstein's Circle: Interview With Artist Alisa Oleva
31 March 2016 | By
Mescherin and his Elektronik Orchestra - by James McLean
13 January 2016 | By
SSEES Centenary Film Festival Opening Night - A review by Georgina Saunders
27 October 2015 | By
Nijinsky's Jeux by Olivia Bašić
28 July 2015 | By
Learning the theremin by Ortino
06 July 2015 | By
Impressions of Post- Soviet Warsaw by Harriet Halsey
05 May 2015 | By
Facing the Monument: Facing the Future
11 March 2015 | By Bazarov
'Bolt' and the problem of Soviet ballet, 1931
16 February 2015 | By Ivan Sollertinsky
Some Thoughts on the Ballets Russes Abroad
16 December 2014 | By Isabel Stockholm
Last Orders for the Grand Duchy
11 December 2014 | By Bazarov
Rozanova and Malevich – Racing Towards Abstraction?
15 October 2014 | By Mollie Arbuthnot
Cold War Curios: Chasing Down Classics of Soviet Design
25 September 2014 | By
Walter Spies, Moscow 1895 – Indonesia 1942
13 August 2014 | By Bazarov
'Lenin is a Mushroom' and Other Spoofs from the Late Soviet Era
07 August 2014 | By Eugenia Ellanskaya
From Canvas to Fabric: Liubov Popova and Sonia Delaunay
29 July 2014 | By Alex Chiriac
My Communist Childhood: Growing up in Soviet Romania
21 July 2014 | By Alex Chiriac
Monumental Misconceptions: The Artist as Liberator of Forgotten Art
12 May 2014 | By Rachel Hajek
28 April 2014 | By Rachel Hajek
An Orgy Becomes a Brawl: Chagall's Illustrations for Gogol's Dead Souls
14 April 2014 | By Josephine Roulet
KINO/FILM | Stone Lithography Demonstration at the London Print Studio
08 April 2014 | By Alex Chiriac
24 March 2014 | By Renée-Claude Landry
Book review | A Mysterious Accord: 65 Maximiliana, or the Illegal Practice of Astronomy
19 March 2014 | By Rosie Rockel
Leading Ladies: Laura Knight and the Ballets Russes
10 March 2014 | By Bazarov
Exhibition Review | Cash flow: The Russian Pavilion at the 2013 Venice Biennale
03 March 2014 | By Rosie Rockel
24 February 2014 | By Ellie Pavey
Guest Blog | Pulsating Crystals
17 February 2014 | By Robert Chandler Chandler
Theatre Review | Portrait as Presence in Fortune’s Fool (1848) by Ivan Turgenev
10 February 2014 | By Bazarov
03 February 2014 | By Paul Rennie
Amazons in Australia – Unravelling Space and Place Down-Under
27 January 2014 | By Bazarov
Exhibition Review | Siberia and the East, fire and ice. A synthesis of the indigenous and the exotic
11 December 2013 | By Nina Lobanov-Rostovsky
Shostakovich: A Russian Composer?
05 December 2013 | By Bazarov
Marianne von Werefkin: Western Art – Russian Soul
05 November 2013 | By Bazarov
Chagall Self-portraits at the Musée Chagall, Nice/St Paul-de-Vence
28 September 2013 | By Bazarov
31 July 2013 | By Richard Barling
Exhibition review | Lissitsky — Kabakov: Utopia and Reality
25 April 2013 | By Richard Barling
Exhibition review | Ilya and Emilia Kabakov: The Happiest Man
18 April 2013 | By Richard Barling
31 July 2013 | By Richard Barling
I have been rereading my travel diary from 1977 in preparation for a talk at GRAD. The trip was part of a longer journey from Istanbul to Bangkok and Australia, and covered the Central Asian Republics of Azerbaijan and Uzbekistan.
The talk, ‘Travelling with Intourist’, took place in association with GRAD’s inaugural exhibition SEE USSR. For me they bring back a distant memory of the highs and lows of the Intourist experience.
‘Today began what I fear will be an ongoing battle with Intourist...’
‘Tonight the hamburger is served with an egg and called beefsteak...’
‘We stocked up with eggs and cakes and returned to the hotel, and had coffee in the coffee bar to the tune of breathily suggestive western music. In fact we have heard no ethnic music at all since coming to central Asia.’
‘Intourist are serving up the most mindless of bourgeois facilities and entertainment and one yearns for an austere little boarding house run along strict collectivist lines instead of this jarring attempt at sophistication.’
‘We travel today to Khiva by bus. This involves three separate buses, each crowded with Uzbeks including some fine old men with wispy white beards and broad lambskin hats. It is good to be organising ourselves again. There are very few tourists about and the majority of people in the street look like locals.’
‘Our tour-guide is a young student from Samarkand called Timur - “My friends call me Tim”. He asks us to send him a book from England “about love”. Tashkent is spacious and pleasant with impressive post-earthquake public buildings. We eat ice-cream In Revolution square - a pleasant park of trees and flowers around a statue of Karl Marx. The people in the park are young, animated and colourfully dressed...it could be a corner of Paris.’