The hidden meanings of Destined to be Happy exhibition - The Interview with Irina Korina
10 January 2017 | By
09 January 2017 | By
Inside the Picture: Installation Art in Three Acts - by Jane A. Sharp
19 November 2016 | By
Conversations with Andrei Monastyrski - by Sabine Hänsgen
17 November 2016 | By
Thinking Pictures | Introduction - by Jane A. Sharp
15 November 2016 | By
31 October 2016 | By
Tatlin and his objects - by James McLean
02 August 2016 | By
Housing, interior design and the Soviet woman during the Khrushchev era - by Jemimah Hudson
02 August 2016 | By
Dressing the Soviet Woman Part 3: "Are Russians Women?" Vogue on Soviet Vanity - by Waleria Dorogova
18 May 2016 | By
Dressing the Soviet Woman Part 1 - by Waleria Dorogova
13 May 2016 | By
Eisenstein's Circle: Interview With Artist Alisa Oleva
31 March 2016 | By
Mescherin and his Elektronik Orchestra - by James McLean
13 January 2016 | By
SSEES Centenary Film Festival Opening Night - A review by Georgina Saunders
27 October 2015 | By
Nijinsky's Jeux by Olivia Bašić
28 July 2015 | By
Learning the theremin by Ortino
06 July 2015 | By
Impressions of Post- Soviet Warsaw by Harriet Halsey
05 May 2015 | By
Facing the Monument: Facing the Future
11 March 2015 | By Bazarov
'Bolt' and the problem of Soviet ballet, 1931
16 February 2015 | By Ivan Sollertinsky
Some Thoughts on the Ballets Russes Abroad
16 December 2014 | By Isabel Stockholm
Last Orders for the Grand Duchy
11 December 2014 | By Bazarov
Rozanova and Malevich – Racing Towards Abstraction?
15 October 2014 | By Mollie Arbuthnot
Cold War Curios: Chasing Down Classics of Soviet Design
25 September 2014 | By
Walter Spies, Moscow 1895 – Indonesia 1942
13 August 2014 | By Bazarov
'Lenin is a Mushroom' and Other Spoofs from the Late Soviet Era
07 August 2014 | By Eugenia Ellanskaya
From Canvas to Fabric: Liubov Popova and Sonia Delaunay
29 July 2014 | By Alex Chiriac
My Communist Childhood: Growing up in Soviet Romania
21 July 2014 | By Alex Chiriac
Monumental Misconceptions: The Artist as Liberator of Forgotten Art
12 May 2014 | By Rachel Hajek
28 April 2014 | By Rachel Hajek
An Orgy Becomes a Brawl: Chagall's Illustrations for Gogol's Dead Souls
14 April 2014 | By Josephine Roulet
KINO/FILM | Stone Lithography Demonstration at the London Print Studio
08 April 2014 | By Alex Chiriac
24 March 2014 | By Renée-Claude Landry
Book review | A Mysterious Accord: 65 Maximiliana, or the Illegal Practice of Astronomy
19 March 2014 | By Rosie Rockel
Leading Ladies: Laura Knight and the Ballets Russes
10 March 2014 | By Bazarov
Exhibition Review | Cash flow: The Russian Pavilion at the 2013 Venice Biennale
03 March 2014 | By Rosie Rockel
24 February 2014 | By Ellie Pavey
Guest Blog | Pulsating Crystals
17 February 2014 | By Robert Chandler Chandler
Theatre Review | Portrait as Presence in Fortune’s Fool (1848) by Ivan Turgenev
10 February 2014 | By Bazarov
03 February 2014 | By Paul Rennie
Amazons in Australia – Unravelling Space and Place Down-Under
27 January 2014 | By Bazarov
Exhibition Review | Siberia and the East, fire and ice. A synthesis of the indigenous and the exotic
11 December 2013 | By Nina Lobanov-Rostovsky
Shostakovich: A Russian Composer?
05 December 2013 | By Bazarov
Marianne von Werefkin: Western Art – Russian Soul
05 November 2013 | By Bazarov
Chagall Self-portraits at the Musée Chagall, Nice/St Paul-de-Vence
28 September 2013 | By Bazarov
31 July 2013 | By Richard Barling
Exhibition review | Lissitsky — Kabakov: Utopia and Reality
25 April 2013 | By Richard Barling
Exhibition review | Ilya and Emilia Kabakov: The Happiest Man
18 April 2013 | By Richard Barling
06 July 2015 | By
In 1920 a young Soviet scientist developed a high frequency oscillator to measure the dielectric constant of gases with high precision. This would have been a fairly innocuous event (as far as wider 20th century culture was concerned) had its inventor not discovered that by adding circuitry to generate an audio tone he could adjust the pitch by moving his hands around its electromagnetic field. Unwittingly, Leon Theremin had just invented the musical instrument that would bear his name, the (ahem…) Theremin.
The Soronprfbs from the film 'Frank'. Theremin on the far right (the box with the aerial).
However before the theremin became the instrument of choice for misfits, freaks and bohemians, it was played in the classical style by its inventor, who recalled his lessons playing the cello to perform a rendition of Saint Saens' 'The Swan' to none other than Vladimir Lenin. Lenin was so impressed that he started playing the instrument himself, apparently with some panache. Soon Theremin was touring the Soviet Union demonstrating his magical instrument and glorifying the technological prowess of the USSR. However there was a darker side to Theremin’s performances, as they provided the perfect smokescreen for the industrial espionage he would carry out throughout his eleven year stay in America. Blissfully unaware, The Radio Corporation of America offered Theremin the extraordinary sum of $100,000 dollars (most of which was confiscated by the Soviet authorities) to produce the theremin, making it the first mass-produced electronic instrument. Soon theremins would takeover the humble home piano and America would be awash with electronic experimentalists… Or would they? Unfortunately the deal was signed on 12th March 1929, just before the global financial depression in the wake of the Wall Street Crash and Theremin would soon be back in the USSR. That old devil love was to play a part too. Theremin married the young African-American prima ballerina Lavinia Williams sparking shock and disapproval from his contemporary social circle. This was, alas, just another example of how Leon Theremin was far ahead of his time. Ultimately he returned to the Soviet Union, was sent to a prison camp, and developed some bizarre and faintly surreal new bugging inventions including a covert listening device known as ‘The Thing’.
And so in the dead of night when I play my theremin and freak out my dog with its high notes, I can only admire the singular genius of Leon Theremin. The man who, with a happy accident, created this wonderful instrument.